Full Review

William Matheny, That Grand, Old Feeling Review

Embracing the Raw and Authentic: An Exploration of William Matheny’s ‘That Grand, Old Feeling

As I begin this exploration of William Matheny’s That Grand, Old Feeling, it’s impossible not to be struck by the stark honesty and incisive storytelling that characterizes this album. The work is a tuneful map of America, reflecting Matheny’s keen observer’s eye and ability to turn seemingly mundane experiences into profound narratives. His grounded songwriting, combined with the band’s meticulous performance, make for an engaging journey through the landscapes of Appalachian Americana.

The album’s heart is Matheny’s songwriting skill, which beautifully compensates for his modest vocals. Matheny’s vocals are unvarnished and unaffected, carrying an intrinsic rawness that brings a visceral reality to his narratives. It’s the kind of voice that embodies the rugged charm of the bumpy back roads traveled, and life lived, echoing the giants like Elvis Costello, Nick Lowe, Marshall Crenshaw, and Jonathan Richman, all known more for their songwriting prowess and less for their vocal perfection. In the vast soundscape of auto-tuned vocals and polished performances, Matheny’s voice stands as a witness to the unprocessed, deeply human essence of music, adding a layer of relatable authenticity to the stories he weaves.

“Late Blooming Forever,” the album opener, showcases this balance perfectly. Matheny’s words cut deep, turning introspective ruminations about aging into lyrical poetry, all underscored by the driving beat and melodic hook that echo the sense of perpetual motion in the lyrics.

The transition into “Every Way to Lose” introduces a moodier facet of Matheny’s artistry, displaying tonal hues that might remind listeners of bands like Drive-By Truckers and Magnolia Electric Co. Matheny’s vocals, though not traditionally powerful, are sincere and genuine, bringing a raw emotiveness to the lyrics that are hard to ignore. Adam L. Meisterhans’s guitar work is tasty and provides a solid edge to the song’s flow.

“Grand Old Feeling” stands out as a centerpiece of the album. Matheny’s ability to construct compelling narratives within his songs takes center stage here, creating a musical snapshot that resonates with anyone who has shared the joys and challenges of a touring musician. Here the vocal doubling and harmonies add fullness to Matheny’s tone in the chorus.

Tracks like “If You Could Only See Me Now,” “Heartless People,” and “Down at the Hotel Canfield” further testify to Matheny’s mastery of storytelling through song, with his honest vocal delivery contributing to the authenticity of each tale.

“Christian Name,” a track reworked for this album, reflects the gritty reality of relentless touring, a narrative where Matheny’s distinctive vocals create a poignant picture that is as honest as it is raw. The band delivers beautiful colors for the song’s form, especially Meisterhans.

That Grand, Old Feeling closes with “Stranger’s Voice,” a groovy rocker that adds a final note of resilience to the album, Matheny’s vocals adding a sense of urgency that’s palpable.

Matheny’s songwriting takes center stage in That Grand, Old Feeling. Combining his skillful penmanship with the band’s meticulous performances creates an immersive experience that draws the listener in. That Grand, Old Feeling is storytelling through song as Matheny paints a series of vivid portraits of American life, steeped in authenticity and filled with a profound understanding of the human experience. While his vocal timbre may not be conventionally ‘perfect,’ his skill as a songwriter more than compensates, crafting an album that will undoubtedly resonate with fans of the genre and newcomers alike. As Matheny himself wishes for his listeners, “Pilgrim to pilgrim, I hope you find it.” This is an exploration worth embarking upon. That’s the short of it!