Romero Lubambo & Pamela Driggs, Christmastime in Rio Review

by Steph Cosme

The holidays have never felt so warm and inviting, as the number of enjoyable Christmas albums this year is impressive. Christmastime in Rio, the latest offering from renowned Brazilian guitarist Romero Lubambo and the luminous vocalist Pamela Driggs is among the standouts with its seamless fusion of Brazilian rhythms and jazz traditions. The pair bring an acoustic glow to this collection of holiday favorites and original compositions. Inspired by the timeless Christmas recordings of the 1950s from artists like Ella Fitzgerald and Mel Tormé, Lubambo and Driggs have put their unique musical heritage into each track, creating a cozy, soulful soundscape that’s about enjoying beautiful music throughout the Holiday season. Their heartfelt intention—to evoke love, gratitude, and the spirit of the season—shines through every one of these twelve tracks.

“Silent Night” opens with a hauntingly beautiful guitar figure from Lubambo. Driggs’ vocalizations add to the color, making for an impactful intro. For the melody, the duet delivers a tender reimagining featuring a delicate guitar and vocal arrangement where Driggs’ serene vocals float effortlessly over Lubambo’s intricate guitar work. Their daughter, Luisa Lubambo, lends her voice, adding an intimate, familial touch that’s moving. The lush vocal harmonies that develop through the performance create an atmosphere of sophistication, making it a standout moment on the album. The reharmonization in the guitar and wordless vocal interlude is stunning in its harmonic and vocal colors.

Written by Nelcy Noronha, “Presente de Natal” is a Brazilian original that brings a joyful vibrancy to the album. Its rhythmic intricacy and heartfelt delivery highlight the duo’s ability to infuse cultural authenticity into the holiday spirit. Lubambo’s guitar dances effortlessly, gracefully carrying the harmonic energy with a beautiful Latin rhythm pattern. Barata’s drums and Brandão’s bass add an elegance to the light bossa feel, while Locke’s vibraphone solo is strikingly refined. Driggs’ voice is expressive, approaching the melody in a romantic and heartfelt manner.

“Winter Reverie” is an original composition by Lubambo and Driggs. This track showcases the duo’s artistry in crafting a festive and introspective piece. The interplay between Lubambo’s guitar and the subtle vibraphone accents by Locke creates a dreamy ambiance through a jazz waltz feel that envelops the listener. The lyrics are festive and build images of the Holidays. Driggs’ ability to shape the melody with emotion and rhythmic movement is on full display.

“Santa Claus is Coming to Town” offers a fresh, festive arrangement; this holiday staple is transformed into a multilayered, Latin-infused celebration. Driggs’ playful phrasing and Brandão’s steady bassline combined with Barata’s drums imbue the song with a delightful energy. Victor Gonçalves’ excellent accordion contribution enhances the feel, adding melodic and rhythmic color. These elements make it a highlight of the album.

Lubambo’s arrangements are the heartbeat of this album. His ability to merge Brazilian styles like bossa nova, samba, and samba canção with beloved holiday melodies result in a sound that feels timeless while still giving an inventive approach to these well-known melodies. The interplay of rhythms and melodies is always balanced, offering something new with every listen.

Driggs’ vocals are equally enchanting. Her phrasing is nuanced, capturing the emotional essence of each song, whether it’s the wistful longing of “I’ll Be Home for Christmas” or the playful joy of “Jingle Bells.” Her voice is a perfect complement to Lubambo’s guitar, blending seamlessly with the album’s acoustic textures.

The contributions of guest musicians further elevate the project. Victor Gonçalves’ accordion adds a lush, warm layer to tracks like “Toyland” and “Santa Claus is Coming to Town,” while Joe Locke’s vibraphone brings a shimmering quality to “The Christmas Song” and “Winter Reverie.” Peter Martin’s piano adds elegance to tracks like “Christmas Love Song” and “I’ll Be Home for Christmas.” These elements, combined with the rhythmic precision of Itaiguara Brandão’s bass, Rafael Barata’s drums, and Luisa Lubambo’s vocal and background arrangements, create a rich, textured listening experience.

Christmastime in Rio is an album expressed as a heartfelt tribute to family, tradition, and the shared joy of the holiday season. The inclusion of Luisa Lubambo on vocals underscores the personal nature of this project, making it feel like an invitation to join the Lubambo-Driggs family for an intimate holiday celebration. The album’s inspiration from 1950s Christmas classics is evident, yet the Brazilian twist gives it a distinctive identity. It bridges cultures and eras, offering a fresh take on timeless traditions.

With Christmastime in Rio, Romero Lubambo and Pamela Driggs have crafted an album that blends Brazilian rhythms, jazz sensibilities, and holiday cheer, making it a standout addition to any festive playlist. The thoughtful arrangements, emotive vocals, and stellar musicianship ensure that this collection will resonate with listeners for years to come. Whether you’re gathered with loved ones or enjoying a quiet moment by the fire, this album is a perfect companion for the holiday season. It’s a reminder of the joy, love, and gratitude that define the holidays—a message that’s beautifully conveyed through their artistry. Don’t miss the chance to make this album part of your holiday soundtrack. As Pamela and Romero say, “Happy Holidays!” That’s the short of it!